The creative company APARÄMILLON, consistently working on research-based original dramaturgies, now shifts its attention to the dramaturgy of Iakovos Kampanellis for the first time. In particular, it explores the legendary play The Courtyard of Miracles, offering a participatory performance that focuses on the conflict of interests surrounding overtourism in the Greek islands.
More specifically, the heroes and themes Kampanellis uses blend with real accounts and elements gathered through on-the-spot research, creating a symbolic way of addressing the impacts of unbridled touristic development. This is achieved by contrasting the different economic interests of individuals or groups involved, and by illuminating the ethical and deontological dilemmas that stem from them.
Stage indicators from Kampanellis’ The Courtyard of Miracles invite the creative team and the audience, whether they are local residents or visitors, to participate in a kaleidoscope of human characters and intricate relationships.